A Suitable Boy by Vikram Seth

I love books that explore, exploit, and analyze culture. I went through a phase in college called my “depressing Asian novels” phase where I was passionately obsessed with (you guessed it) novels about Asian culture. When A Suitable Boy showed up in the mail, my first thought was—wha? this thing is gigantic! My second thought was—I’m going to like this. You see, novels based on culture, have stereotypically similar cover art—much like romance novels feature women with heaving bosoms and heads tilted back, mysteries feature dark figures with guns, and fantasies feature swords, leaves, elves, and the occasional eel/dragon. Cultural novels feature autumn colors—red, brown, orange—with lots of fabric and people looking pensive, sad, or plain depressed. As was the case with the cover of A Suitable Boy.


The story tells the tale of several families (with dozens of characters) who live in post-colonial India (approx. 1952). There are four main families who all play different roles in the explanation of Indian culture. The characters range from politicians and teachers to businessmen and mothers. The overarching storyline is that of a mother and daughter, both of whom are searching for a suitable spouse for the daughter—Lata. The story explores the burdens and advantages to the caste system and arranged marriage. It also discusses in depth, the political conditions and fervor of the time as India struggled to peaceably make the transition to an independent country.

Overall, I very much enjoyed this story. The ending was a little rushed, tired and inconclusive, but had no epilogue (as I recall) so I can’t complain too much. (I always prefer an abrupt, inconclusive ending to an epilogue.) Aside from that; the characters were well developed—some were entertaining, some annoying, and others loveable. Another solid, epic tale.

Favorite passages:

"Ma! said Lata, a little exasperated at the emotional capital her mother insited on making out of every possible circumstance." Pg 3

"Meenakshi and Arun were not really able to afford all this--Billy Irani had independent means--but it seemed intolerable that they, for whom this kind of life was so obviously intended, should be deprived of it by a mere lack of funds." Pg. 69

"Lata nodded. I'm not a mouse or a tigress, she thought, I'm a hedgehog." Pg 156

" Everyone has tragedy, he said. 'But Krishna had joy. The secet of life is to accept. Accept happiness, accept sorrow; accept success, accept failure; accept fame, accept disgrace; accept doubt, even accept the impression of certainty." pg 812

"Don't count your chickens before they're hatched,' said Lata, laughing. 'But they might never get hatched,' said Savita. 'I may as well count them now." pg 954

"Dipankar stepped out of his hut in the garden after having meditated for an hour or so. He had come to a decision about the next step in his life. This decision was irrevocable unless he changed his mind." Pg 1192

"...I too hate long books: the better, the worse. If they're bad, they merely make me pant with the effort of holding them up for a few minutes. But if they're good, I turn into a social moron for days, refusing to go out of my room, scowling and growling at interruptions, ignoring weddings and funerals, and making enemies out of friends. I still bear the scars of Middlemarch." Pg. 1370

If this were a movie, I’d rate it: PG-13 (there’s some violence.)

Overall Grade: A-

Would I recommend this to my friends? Yes, to those who can persevere through 1,488 page books.